| Remarks: |
Ascribed to Dufay in one of its manuscript sources,
this piece has not been accepted by scholars as possibly his until fairly recently.
If
this work is not by Dufay, it is certainly a Franco-Flemish
composition
of outstanding quality dating from the
1450's.
As an early example of equal 4-voice polyphony
and for its inherent beauty, this composition deserves
to be better known and performed, whether or not it has Dufay's name attached to it. |
|
View Sample Score |
